位於軍事碉堡區內有一區作品名為: Patience is Beautiful,創作者Susan Hefuna是德國人，創作理念為
Mashrabiyas traditionally protected the inside world from the outside world; filtering the light and allowing one to observe without being seen. The mashrabiya creates separation – inside from outside, women from men, family from outsider, haram from hallal. Traditionally, the mashrabiya only allowed one-way vision – from inside to out, but Hefuna has incorporated words into her mashrabiya sculptures, which, significantly allow the viewer to read from both sides. "The mashrabiya became for me a symbol that operates in two directions with the possibility for dialogue, rather than closure."
Mashrabiyas traditionally protected the inside world from the outside world; filtering the light and allowing one to observe without being seen. The mashrabiya creates separation – inside from outside, women from men, family from outsider, haram from hallal. Traditionally, the mashrabiya only allowed one-way vision – from inside to out, but Hefuna has incorporated words into her mashrabiya sculptures, which, significantly allow the viewer to read from both sides. "The mashrabiya became for me a symbol that operates in two directions with the possibility for dialogue, rather than closure."
她的表達手法是透過相疊的圖紙（似為描圖紙），而呈現一個畫面，這種手法在梵蒂岡博物館內有看過一張作品類似於此。以點線的表現手法，說實在，無法想像它與作品名Patience is Beautiful的相連性。
而這種虛實交疊的手法，在不同展場不同作品有類似的呈現
而這種虛實交疊的手法，在不同展場不同作品有類似的呈現
*在李教授之金剛經第七品無得無說品中亦以二代祖師輪廓將底布王羲之書寫之"以無為"包起來,以表現該品法要「一切賢聖皆以無為法而有差別」,寓意更深遠
若以為Patience is Beautiful為主題，我想能當威尼斯雙年展參展者皆非泛泛之輩，每一件作品應皆是參展人嘔心瀝血之作。以，以Patience來觀其美，應該是其中孕含的精神力令人感動，先以梵蒂岡中西斯丁教堂中米開朗基羅的「創世紀」及「最後的審判」為例，那股攝人氣勢，令人遙想米開朗基羅當時作畫的心情及支持他的力量究為何。
在西斯丁教堂擁擠的人潮中，有機會坐在一角落仰望天花板上「創世紀」，對米開朗基羅充滿佩服 
又看似簡單的水珠、線條..，在現場的高溫及空氣的凝滯，李教授以那股專注力一筆一畫完成畫作，其間所費時間超乎想像。
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